October 2018 – Tony's Horror Corner

The Great “Dark Tower” Reread: “The Waste Lands”

It’s tough to follow “The Drawing of the Three,” but “The Waste Lands” gives one hell of an effort. It’s a very close race for my favorite “Dark Tower” novel between these two. This is the third and one of the biggest steps in Roland and his ka-tet’s journey to the Tower, so let’s hop on the review train.

Released in 1991, “The Waste Lands” gives readers the most explanation of any of the previous novels. This may sound boring, but the novel is action packed throughout. Eddie and Susannah are true gunslingers now and Roland is going insane due to the paradox he created by saving Jake in book two.

The trio travel far in this novel and we learn a lot about the beams connecting the tower to the 12 points around Roland’s world. We travel to a haunted house in New York with Jake, to the war-torn city Lud, ride a riddle-obsessed suicidal train, Blaine the Mono, and even get a brief appearance from one of King’s ultimate baddies.

“The Waste Lands” is a thrill-ride, Olivia and I finished it in three sittings. There are a few sections that get a little slower due to the explanatory bits, but they are very important, and King mixed them in with the action very well. You’ll hit that cliff-hanger at the end and your jaw will be on the ground. Between book two and this one, we have seen some of King’s best work.

Continue your ride on the review train, but beware, spoilers lie in the Waste Lands below.

We start off with Roland, Eddie and Susannah in the woods past the beach we left in book two. Roland is teaching Susannah how to properly shoot a gun like a gunslinger. This is the first time readers get a glimpse of the gunslinger litany and its marvelous:

“I do not aim with my hand; he who aims with his hand has forgotten the face of his father. I aim with my eye.
I do not shoot with my hand; he who shoots with his hand has forgotten the face of his father. I shoot with my mind.
I do not kill with my gun; he who kills with his gun has forgotten the face of his father. I kill with my heart.”

Roland and Susannah hear crashes and roars and run to find Eddie. They see him at the top of a tree with a giant cyborg bear beneath it trying to get him. After Susannah kills it, we learn this is Shardik, one of the guardians of the beams connected to the Tower.

Roland shows his ka-tet that you can actually see the beams in the sky and the surrounding area. They start following the beam to the center, the Dark Tower. On their journey, Roland and Eddie have dreams. Roland’s of Jake and Eddie’s of the Tower. Eddie’s dreams and growing desire to see the tower are part of the reason why Eddie is the best character. He is genuine, and his curiosity is exactly what every constant reader feels.

Meanwhile, in New York, Jake is having a hard time with his divided mind, much like Roland. Jake has a dream of young Eddie and his older brother Henry. In the dream, Jake follows them to the famous haunted mansion on Dutch Hill. When he awakens from his dream, Jake seeks out and eventually finds young Eddie and follows the brothers to the mansion. Once there and the Dean brothers have departed, Jake goes inside.

While Jake is entering the house, Roland, Eddie, and Susannah have entered a speaking circle guarded by a demonic spirit. While there, Susannah must distract it, sexually, while Eddie draws a door. The circle is where the ka-tet hopes to draw Jake through.

King flips back and forth between the ka-tet and their struggle and Jake and his. Jake is in a house of horrors, pretty much. The descriptions are truly terrifying, especially when the house comes to life and tries to grab Jake and consume him. After a heroic struggle, Jake is finally drawn into Roland’s world. Obviously that description doesn’t cut it, but it is one of the most intense scenes in the book and King set it up and executed it so well.

Once Jake is drawn, his and Roland’s minds are at ease and the ka-tet has one more member. After rounds of story sharing, they are all one the same page and of one mind: khef. Jake tells the trio of a riddle book and a book about a train he found in a NY bookstore. The books foreshadow a train the ka-tet will soon encounter.

They resume their journey toward the war-torn city of Lud. Along the way they pick up a hitchhiker: a little billy-bulmber, a raccoon-fox-like creature named Oy. Oy can somewhat repeat words and phrases and takes an immediate liking to Jake, “Ake.”

The ka-tet reaches a bridge leading to Lud. The bridge is very run-down and on the brink of collapse. They go across single file until they are stopped when Jake and Oy almost fall off. This scene is stressful as hell.

Once they regain their composure, they see a figure on the other side: Gasher. Gasher wants them to hand over Jake or else he’ll blow the bridge. They do… another heartbreaking scene where we have to watch Roland lose Jake.

Gasher drags Jake through a series of twists, turns, tunnels and around traps until they reach the lair of the Tic-Toc man underneath the city. Another heart pounding sequence. Eddie and Susannah go off in search of the train, Blaine the Mono. Roland and Oy search for Jake.

Eddie and Susannah find Blaine and must answer a riddle to board. Roland and Oy find where Jake is being held. Oy goes into the vents and attacks Jake’s captors from the inside and Roland bursts through. Together they escape with Jake and rendezvous with the Deans.

Susannah solves the riddle, and the five members of the ka-tet board Blaine. Once aboard, Blaine talks to them and impresses the group with his futuristic technology. Blaine takes the them through the waste lands and strikes a deal: The ka-tet must ask him riddles and if he solves them all, he will drive the train with them locked inside, into the blockade at the end of the track in Topeka. If the ka-tet manages to stump him though, then he will let them off safely in Topeka.

While the ka-tet are riding away from Lud, a mysterious figure approaches the injured Tic-Toc Man. This figure spouts a few lines from one of King’s best novels, “The Stand,” giving us the idea that he could be Randall Flagg (it is).

King leaves us with a nasty cliff-hanger to finish off this epic novel. It is totally frustrating until you just immediately grab book four, “Wizard and Glass,” and pick right back up. Overall “The Waste Lands” was absolutely incredible. If you weren’t sucked into the journey to the Tower after book 2, then you definitely will be after book 3.

5 out of 5

Richard Chizmar: The Man Behind Cemetery Dance

I had the chance to interview Richard Chizmar, his son Billy, and one of his friends and colleagues, Tom Monteleone. It was an amazing experience and extremely informative. Check out the full feature story below.

Sitting in his tenth-grade English class at Edgewood High School, Richard Chizmar’s teacher starts the day by reading a recently released short story to the anxious students. Chizmar’s attention is grabbed immediately. The story is “The Monkey” by Stephen King.

“Listening to my teacher read ‘The Monkey,’ it really cemented storytelling for me, and it was part of my identity,” Chizmar said. “That’s when I knew, that this is what I wanted to do.”

Born in 1965, growing up in Edgewood, Maryland, Chizmar said he was always surrounded by books and loved the library. From a young age, he wrote and told stories, mostly of the horror variety, to his friends and his parents. He said his friends found it cool and his mother would even pay him ten cents or a quarter for each story.

Chizmar graduated from Edgewood High School in 1983 and went to the University of Maryland Baltimore County to play lacrosse. In his first years at the university, he didn’t write as much as he used to; time was difficult to come by with lacrosse and classes. In 1986, Chizmar was injured playing lacrosse. During his rehabilitation, Stephen King’s famous novel IT was released, and he read the whole thing.

“It was a slap in the face,” Chizmar said. “Reading IT made me realize this (writing) is what you are supposed to be doing.”

After rehab, Chizmar quit the lacrosse team and took his love for sports to the school’s newspaper. He wrote for the sports page and eventually became the sports editor. To further pursue his journalism degree, Chizmar transferred to the University of Maryland College Park. While at UMD, Chizmar began writing fiction again and submitting his stories to magazines.

“There was a bigger market back then, a sprawling network of smaller magazines,” Chizmar said. “If you had 20 stories, you could send them all out and they would all get purchased.”

The only problem with the huge network of magazines, Chizmar said, was the quality. To combat this, Chizmar started his own magazine: Cemetery Dance in December of 1988.

“I had a long winding road through college,” Chizmar said chuckling. “Once I finished at UMD (June 1989), I focused solely on Cemetery Dance. I wrote for the magazine and was poor for 10 years.”

Tom Monteleone, a writer for Cemetery Dance magazine for the past 25 years, has known Chizmar since the beginning.

“He started a small press and turned it into an empire,” Monteleone said. “Starting a magazine is a crazy thing, 90 percent of the time you’re doomed for failure. Rich on the other hand, has a determination and a will to succeed. When he makes up his mind, he doesn’t stop. He’s driven, he has visions, dreams and plans.”

Monteleone writes a column for the magazine entitled “The Mothers and Fathers Italian Association.” In it he talks about weird experiences and life as a writer. Monteleone describes Chizmar as a “dynamo” and a “really fascinating guy.”

“I admire his incredible energy,” Monteleone said. “He has an ability to will things into existence and he gets shit done. He built CD from nothing and has managed to attract a massive clientele to what is a niche market industry. I am proud to call him my friend.”

Chizmar’s whole idea behind Cemetery Dance was to publish a high-quality horror themed magazine that packaged well-known authors with lesser-known aspiring writers. Each issue, he would send out to big-name authors and writers to put the name out there and in the hopes of getting support or submissions. One of these big-names was Stephen King.

“I would send him copies regularly saying, ‘I’d love to work with you, check out my magazine,’ stuff like that,” Chizmar said. “Then in 1990, he replied with a very nice promotional blurb for CD and obviously I was excited.”

In 1991, King sent Chizmar a copy of his newest short story “Chattery Teeth” wanting it to be published in the magazine. This was the start of their relationship and King allowed Chizmar to reprint other stories and scripts for the magazine. At this time, Cemetery Dance had expanded to printing limited editions of novels as well as the magazine.

In 2001, King’s assistant sent the manuscript for his upcoming novel From a Buick 8 to Chizmar asking Cemetery Dance to produce a limited edition.

“Slowly our relationship expanded from just business to more of a friendship,” Chizmar said. “We would send each other our works, read them over, and send them back. We emailed back-and-forth pretty regularly.”

One day in 2016, following the release of his hit short story collection A Long December, Chizmar received an email from King. It contained an idea for a story titled Gwendy’s Button Box with a note saying he was having trouble finishing it.

“I told him I’d love to read it and he replied saying, ‘Do with it as you wish.’ I asked him if he wanted me to finish it and he said, ‘absolutely,’” Chizmar said. “I agreed I’d finish it. My hands were shaking, I was a nervous wreck, I couldn’t believe I was tasked to finish a Stephen King book.”

Once he finally sat down to write, Chizmar said the story flowed and he just started cruising, “I was transported to Castle Rock.” Within two hours, the nerves were gone. 10,000 words later, he had it attached in an email with his mouse hovering over the send button.

“I got all nervous again and started second guessing what I had done then finally said ‘screw it’ and hit send,” Chizmar said. “We played ping-pong with drafts of the story over email and finally came to a finished product. It was a happy accident emailing back and forth but writing with him was a wonderful experience.”

Gwendy’s Button Box was released May 2017 through Cemetery Dance Publications and spent six weeks on the bestseller list. King and Chizmar have worked together on other projects as well. Recently, they wrote a script for a movie Trapped. Chizmar’s oldest son has been tapped to direct the film.

Chizmar has two sons, Billy, 20, a student at Colby College in Maine, and Noah, 15, a sophomore at St. Paul’s High School. Both play lacrosse, but, Chizmar said, Billy got more of the reading and writing genes.

“Growing up with my dad being a writer and publisher has been a really cool experience,” Billy said. “I remember one day when I was little we didn’t have a babysitter, so dad took me to work with him. The Cemetery Dance warehouse is in Forrest Hill and I remember just being amazed walking around this huge warehouse and looking at all the cool artwork and the books. I fell in love immediately… it was hard not to.”

Billy said the Chizmars had a library room in their old home where he would always find his father reading and naturally he picked up the hobby. Billy describes his father as “someone I look up to a lot.”

Chizmar and Billy have produced multiple films together, including Murder House based on the home the Chizmar family recently moved into. The duo also published a novella, “Widow’s Point,” in February 2018.

“Writing ‘Window’s Point’ with my dad was an awesome experience,” Billy said. “I was nervous and excited. I’d written a few short stories myself, but when he asked me to help work on something of length, it was daunting but fun.”

Billy said his father asked him to finish it and their style differences worked perfectly for the structure of the story. What started as a short story quickly grew to a short novel.

“We had a moment where we realized we had more to say,” Billy said. “We were both on the same wavelength and just started going back and forth, adding things and editing parts. It was an absolute delight.”

The father-son duo are getting ready to work on a sequel to their hit novella. Both said they plan to start writing in November. Chizmar, meanwhile has a new book, The Long Way Home, coming in December and over the weekend, Chizmar was inducted into the Edgewood High School Hall of Fame.

Chizmar went from writing because of King, to writing to him, then going full circle and accomplishing what every constant reader and aspiring horror author dreams of: writing with him.

However, like Monteleone said, “There is life (in horror) outside of Stephen King.” Chizmar is part of that life and fostering some of that life at Cemetery Dance. Keep an eye out for the Chizmar name because it will be appearing more frequently in the coming years.

The Great “Dark Tower” Reread: “The Drawing of the Three”

If you felt a little lost or confused after “The Gunslinger,” King’s second installment in “The Dark Tower” series, “The Drawing of the Three” is the medicine you need. Below is my review for the thrill ride that really opens the door to the series.

“The Drawing of the Three” was released in 1987 and starts with Roland Deschain, the last Gunslinger, waking up on a beach to the water from the sea soaking his guns and shells. Roland, concerned for his weapons, leaps up but is attacked by giant lobster-like creatures that lop off the first two fingers on his dominant right hand.

King immediately cripples the story’s hero, starting the readers off knowing this will be a major test. “The Drawing of the Three” contains some of King’s best writing, hands down. His imagination and descriptions are truly incredible. This novel is incredibly fast paced compared to book one, and you’ll never want to put it down… Olivia and I finished it in three nights.

We get to meet two major characters in this one: Eddie Dean and Susannah. Susannah, we don’t get to until later, but we start off quickly with Eddie and if I’m being completely honest, he’s my favorite King character and one of the best he’s ever written.

This novel offers us a look into how vast King’s universe can be, but we only scratch the surface. “The Drawing of the Three” is easily a top 10/15 King novel overall for me, and its either #1 or #2 within “The Dark Tower” series.

Brief synopsis below that may contain spoilers, so tread lightly.

After losing his fingers, Roland shambles down the beach, realizing the lobstrosities have poisoned him. Roland is in desperation mode when he comes across a door in the middle of the beach. The door reads “The Prisoner.” Roland opens it and realizes he is looking through someone else’s eyes. Eddie Dean’s eyes.

Roland steps through the door, and into Eddie. King’s imagination is on full display here and it’s truly incredible. The scenes where Roland and Eddie co-exist in Eddies body, Roland taking food from Eddies world back to his own, Roland hiding the drugs Eddie was smuggling into the US in his world, so Eddie would make it through customs… amazing.

Eddie Dean is a heroin addict who, as I mentioned, was smuggling cocaine into the US for his heroin supplier, Balazar. Balazar is holding Eddie’s brother Henry hostage as collateral. Eddie, with Roland as his passenger arrive at Balazar’s place to exchange the drugs.

Eddie goes to the bathroom, followed by one of Balazar’s men, to retrieve the drugs from Roland’s world. While in the bathroom, Eddie pulls the goon into Roland’s world and together, Roland and Eddie feed him to the lobstrosities. Roland comes back through the door with Eddie, not inside him this time, but separately.

There’s a major shootout in Balazar’s where the last men standing are Roland and Eddie. After having Henry’s severed head thrown at him, Eddie is broken, and Roland convinces him to come back to his world to find the Tower.

“On the way to the Dark Tower anything is possible.” – Roland

“Okay, I didn’t have anything else planned tonight, anyway.” – Eddie

The two take some of Balazar’s antibiotics for Roland and trudge along the beach. Roland recovering from infection and Eddie withdrawing from his heroin addiction. Two peas in a pod. The two sufferers happen upon the next door marked: “Lady of Shadows.”

Roland opens the door again and is looking through the eyes of Detta Walker who is also Odetta Holmes. Odetta/Detta is a woman with a split personality. She is also a woman in a wheelchair because her legs are missing from the knee down.

Odetta/Detta’s drawing is much quicker and less messy than Eddie’s was, but once Roland gets her into his world, he and Eddie soon realize her personalities are unaware of each other, and vastly different. Odetta is kind, smart and inquisitive while Detta is much more animalistic: vicious, cunning and dangerous.

During the trio’s journey to the third door, Roland’s infection begins to reassert itself with a vengeance. Eddie and Odetta/Detta leave Roland, who is unable to walk, to find the door. Once there, Eddie leaves Odetta/Detta and takes her wheelchair to get Roland. Roland is the only one who can open the door marked: “The Pusher.”

Eddie gets Roland to the door, but Odetta/Detta is missing. Roland goes through the door and enters the vile Jack Mort. Eddie stays behind to look for Odetta… he has fallen in love with her but fears she has turned into Detta.

Meanwhile, Roland is inside Jack Mort’s head and stops the him from pushing Jake into traffic, the same Jake and same car that killed him and sent him to Roland’s world in “The Gunslinger.” Another glimpse at how big King’s universe surrounding the Tower can be.

Roland uses Jack’s body to get ammunition for his guns, and antibiotics for himself. This scene is fun and wild. Roland, not knowing New York culture makes Jack seem like an imbecile at times. Further examples of Kings genius. We discover Mort is the man that pushed Odetta in front of the train which caused her to lose her legs. In a final act of vengeance, Roland throws Jacks body in front of the same train and brings the drugs and bullets back to his world.

Back in his world, however, Detta has tied Eddie up and he is on the verge of death by lobstrosities when Roland reemerges. His return caused Detta and Odetta to finally see each other, causing the split personalities to converge into one woman: Susannah.

These three are the beginnings of a ka-tet: one from many; a group of people summoned by ka (destiny). Together they continue their journey to the Tower but not before Eddie rips our hearts out by thanking Roland in the most genuine way possible:

“You saved more than my life, you saved my fuckin’ soul.”

“The Drawing of the Three” is an absolutely incredible novel and leaves us totally broken but also empowered and ready for the next piece of the puzzle: “The Waste Lands.” I can’t say enough positive about this one though.

5 out of 5

The Great “Dark Tower” Reread: “The Gunslinger”

I first started Stephen King’s magnum opus “Dark Tower” series in April of 2016 and finished the 7th and final book in early December of that year. Upon finishing “Storm of the Century,” a couple weeks ago, I decided to take the epic journey to the Tower with Roland and his ka-tet once more (and not for the last time). I will review each book as I finish, so without further ado, lets palaver, you and me.

“The man in black fled across the desert and the gunslinger followed.”

Im doing this reread with the always awesome, Olivia. Beginning with those iconic first lines, “The Dark Tower 1: The Gunslinger,” was originally released in 1982 and heavily revised in 2003 to fit the ending of the series. When you write a series of 7 novels all about one thing over a 20-year period, ideas are bound to shift.

We start with the last gunslinger, Roland Deschain of the fallen city Gilead, following the mysterious Man in Black. Roland is on a quest to reach the mythical Dark Tower, but first needs answers from the Man in Black. Roland’s world is “moving on” a phrase he continually uses to describe its death. He hopes that reaching the Tower will give him the answers to fix it.

“The Gunslinger” is a little on the slower side, pace-wise, but it is still a really intriguing read and King’s revisions were excellent in placing subtle hints about the upcoming novels. I enjoyed reading this more the second time than I did the first, and that is probably since I know more now. Going into “The Gunslinger” for the first time it is a tad confusing, but trust me, push through because the next books are some of King’s best work.

Below is a slightly spoilery synopsis so beware.

During his travels through the desolate Mohaine desert, we get glimpses into Roland’s childhood and learn just how this dark figure came to be. Roland is quiet and intimidating with an air of danger surrounding him. Throughout the novel you have a hard time deciding whether or not you like him.

Roland enters the town of Tull, following the Man in Black’s steps. Here he discovers the Man in Black has spread his influence on the people of the poor desert town. After shoving his gun up the cooch of a crazy religious fanatic and killing the entire city’s population, Roland moves on. He’s a savage, plain and simple. (side note: I hate to condone the movie… because it sucked… but the gifs are cool)

After leaving Tull, Roland happens upon a way station which seems to resemble today’s gas stations. Here he finds a boy named Jake Chambers. Jake is from New York and was transported to this world when he was pushed in front of a moving car and died.

Roland tells Jake of his past and how he bested his teacher Cort to become the youngest Gunslinger. Roland learns Jake is a sacrificial pawn in his journey to reach the Man in Black and the Tower. This part of the story gets interesting because King makes the reader attached to Jake and shows Roland’s growing affection for the boy.

Roland and Jake follow the Man in Black into the mountains where they fight off slow mutants (monstrous subterranean creatures) before coming to an abyss with a small, rickety piece of track across it. With the Man in Black on the other side of the abyss, waiting, Roland and Jake attempt to cross.

Roland makes it but before Jake can, the track breaks and Roland, instead of helping him, allows him to fall, but not before Jake utters one of the many famous lines in this series:

“Go then, there are other worlds than these.”

After Jake’s sacrifice, Roland and the Man in Black, aka Walter aka Marten, palaver (talk). The two discuss Roland’s fate with tarot cards: The Sailor, The Prisoner, The Lady of Shadows, Death, and the Tower. After some trippy scenes where the Man in Black shows Roland the universe and explains the Tower, Roland sleeps for 10 years, wakes up, and ends up on the beach watching the sunset.

“The Gunslinger” is a great intro to an even greater series, I’m really looking forward to the second installment, “The Drawing of the Three.” Before I get there though, here’s my rating for “The Gunslinger” after my reread:

4 out of 5

Review Time: “In The Tall Grass”

Stephen King collaborated with his oldest son Joe Hillstrom King (Joe Hill) to create the terrifying novella, “In The Tall Grass.” Check out my review for the soon-to-be Netflix movie.

Originally released in the June/July and August 2012 issues of Esquire magazine, “In The Tall Grass” can now only be acquired as an e-book. If you get the opportunity to acquire this novella or even just read it, I highly recommend you do it.

Cal and his sister Becky are travelling across country to move Becky into their aunt and uncle’s house. During their drive, on a desolate road in Kansas, Cal and Becky hear cries for help coming from a tall grass field on the side of the road.

They park at a seemingly abandoned church, The Black Stone Church of the Redeemer. All the cars in the lot are covered in dust; looking like they’ve been there for ages. Cal and Becky now hear cries from a little boy named Tobin, and his mother. They try leading the source of the voices toward them, out of the grass.

Eventually the siblings go into the grass in search of the lost mother and son. They get separated and insanity ensues. They cannot find their way out, or to each other, no matter what they do. There are moments when King describes the siblings jumping and yelling to find each other, but the landscape moves around them, making it impossible.

Once in the grass, King fans immediately think of his short story “Children of the Corn.” The tall grass and tall corn are where the similarities stop though. This is a much more brutal and disturbing story that had a couple scenes, one particularly, that made my jaw drop.

I want to go deeper into this; the gruesome scenes the overall sense of desperation, distress, claustrophobia and hopelessness… but I don’t want to spoil the story. It is very good and quite terrifying. I am really interested to see how Netflix goes about adapting it.

Speaking of that: Vincenzo Natali will write and direct the film which has landed stars Patrick Wilson and James Marsden. Laysla De Oliveira, Will Buie Jr., Avery Whitted, Rachel Wilson and Harrison Gilbertson have also joined the cast of “In The Tall Grass.” It is unannounced, but its very possible that Gilbertson and Oliveira will play Cal and Becky. Buie Jr. is set to play Tobin and Rachel Wilson will play his mother.

Anyway, I highly recommend you get your hands on this thriller as soon as you can, it’s worth it. Hopefully the movie doesn’t cut too much of the gruesome parts out… they are just insane.

5 out of 5

Review Time: “Creepshow”

“Creepshow” is a 1982 cult classic horror anthology film directed by George A. Romero (RIP) and written by Stephen King. This is the comic adaptation of the movie with illustrations from Bernie Wrightson (RIP).

Gallery 13 published this graphic novel edition of “Creepshow” in 2017, and it is entertaining for sure. We get to see The Creep, with his hooded decaying face, introduce and close out each story with his classic “heh-heh” laugh.

I enjoyed the illustrations a whole hell of a lot, and the stories were fun as well. In the end, the movie was just a better medium though. Below, I’ll go into each story a little bit, but my advice: skip the comic and watch the movie. Really, only get this if you want the art because it is something special.

“Father’s Day”

This is a twisted tale about a family reunion where the members discuss their crazy aunt who killed her just as crazy father seven years ago. The aunt visits her fathers grave every Father’s Day at 4 pm sharp. This year however, daddy decides to dig his way to the surface.

Zombie dad runs around asking for cake and killing the family members. It’s a great time.

“It’s Father’s Day and I want my cake!! And I mean to have it!!”

“The Lonesome Death of Jordy Verrill”

In the film, Stephen King himself played ole Jordy. Jordy, a simple man, lives by himself in the middle of nowhere. One night he sees a meteor crash into his property. He goes to inspect it and gets infected with what looks like grass.

Jordy has visions of selling the meteor and when snapped back to reality he realized the alien grass is spreading. The itching becomes unbearable for poor Jordy and the grass spreads to cover his entire body. He eventually kills himself and we see his entire house and lawn are now covered in the alien grass.

“The Crate”

This is my favorite from the anthology. A janitor finds a mysterious crate at a University. He calls one of the professors to come check it out. The janitor and professor open the crate. The janitor reaches his hand inside and gets sucked in by a mysterious beast.

The professor runs for help and finds a student who also investigates the crate and also gets attacked by the beast. The professor then goes to his co-worker’s house, tells him the story of the crate. Mr. co-worker decides to get a little revenge on his cheating wife and tricks her into checking out the crate. You can probably guess the result for the Missus. After she gets torn up, the professors lock the crate up and sink it.

“Something To Tide You Over”

We start out seeing a man’s head in the sand… he is buried up to his neck at the beach. This turns out to be a revenge tactic. The man had relations with Richard’s wife. Richard buried the man, Harry, and Becky (the wife) both up to their necks in the sand. He set up television screens and cameras in front of both of their faces, so they could watch each other drown as the tide came in.

While they watched each other, Richard watched them die from the comfort of his home. After watching them die, Richard takes a shower. While showering, zombie Becky and Harry arrive and bury Richard up to his neck on the beach.

“They’re Creeping Up On You”

This one gives you the creepy-crawlies for sure. A man living in his spotless apartment begins having trouble with roaches. As he battles the roaches, the city experiences a blackout. During this blackout, the apartment is infested with roaches. When the lights turn back on, there are no more bugs… except for the millions escaping from the dead man’s mouth.

“Creepshow” was very enjoyable, but I the comic format only served as a good visual, it wasn’t very fun to read. My rating may seem generous based on what I’ve said, but I do like all the stories and the movie is just so awesome. It is a cult classic for a reason and I highly recommend it.

4 out of 5

Review Time: “Storm of the Century”

Stephen King’s screenplay “Storm of the Century” was my 71st and final book by the master of the macabre. It’s a bittersweet feeling, but with a few short stories remaining and “Elevation” coming late October, I’m not done yet! Anyway, check out my review for “Storm of the Century.”

Released in 1999, Stephen King wrote the “Storm of the Century” screenplay for a television movie. The film was released in three parts, totaling over four hours of air time. The book was interesting for sure, but I felt like the screenplay style hindered what it could have been. The film was exactly as you’d expect after reading the book.

The residents of Little Tall Island off the coast of Maine (of course) are battening down the hatches and preparing for what the news is referring to as the storm of the century (go figure). While this is happening, a mysterious man shows up and kills an innocent old woman.

Side note: You may recognize Little Tall Island. It was the setting for “Dolores Claiborne” and the short story “Home Delivery.” Dolores is mentioned a couple times by the residents in “Storm of the Century.”

Anyway, this mysterious man is Andre Linoge. He ends up being like a lame version of everyone’s favorite King baddy: Randall Flagg. Linoge gets himself arrested by island constable, and the main character of the story, Mike Anderson.

Anderson is in charge of keeping the citizens calm and making sure everyone is safe during this storm, but now he must also deal with a murderous stranger. The storm escalates to its title and all the residents of Little Tall Island end up taking refuge in the town hall building. Meanwhile Mike and a few others stand guard outside of the island’s one cell where Linoge is being held.

From his cell, Linoge uses some sort of psychic abilities and sorcery to cause chaos. I wont go much further into details to avoid spoilers, but some of the events Linoge causes are quite intense, especially the ultimatum at the end.

“This is a cash-and-carry world, pay as you go. Sometimes you only have to pay a little, but mostly it’s a lot. And once in a while it’s all you have. ” – Mike Anderson

This review is shorter because the book itself wasn’t long. The screenplay, coming in at 376 pages, is hard to go over without spoiling and it read much faster than that page count suggests. You can watch the movie and honestly probably enjoy it more. Like I said before, this story isn’t bad, and the end is even a little heartbreaking, but I would have liked it much more if it were in novel form.